entre le feu et le clair de lune
directed by Dominic Yarabe
A father recounts. A village reenacts. A daughter documents.
An Ivorian father and his American-born daughter set out to continue the book he never finished about a war he experienced as a child.
With the help of the children living in his village today, the three generations make a film together and create a mythical tapestry of entwining timelines, nightmares, and memories.
Screenings:
Sundance Film Festival, Telluride Film Festival, True/False Film Fest, Champs-Élysées Film Festival, deadCenter Film Festival, Kortfilmfestivalen, Rooftop Films, Florida Film Festival, Milwaukee Film Festival, Silver Frame Film Festival
Awards:
Best Documentary Short film (Oscar-Qualifying event) at deadCenter Film Festival
Headshot
directed by Dominic Yarabe
confronts current issues within image-making while reflecting on the past patterns that have brought us to this ethical dilemma.
is a mediation on the relationship that Black Americans have with image-making and landscape politics
a challenge of the documentary form; an address towards the unbalance of director-subject relationships; an exploration of the historical violences of image-making.
a reckoning with photography, colonialism, power and landscape
directed by Dominic Yarabe
A father recounts. A village reenacts. A daughter documents.
An Ivorian father and his American-born daughter set out to continue the book he never finished about a war he experienced as a child.
With the help of the children living in his village today, the three generations make a film together and create a mythical tapestry of entwining timelines, nightmares, and memories.
Screenings:
Sundance Film Festival, Telluride Film Festival, True/False Film Fest, Champs-Élysées Film Festival, deadCenter Film Festival, Kortfilmfestivalen, Rooftop Films, Florida Film Festival, Milwaukee Film Festival, Silver Frame Film Festival
Awards:
Best Documentary Short film (Oscar-Qualifying event) at deadCenter Film Festival
Headshot
directed by Dominic Yarabe
confronts current issues within image-making while reflecting on the past patterns that have brought us to this ethical dilemma.
is a mediation on the relationship that Black Americans have with image-making and landscape politics
a challenge of the documentary form; an address towards the unbalance of director-subject relationships; an exploration of the historical violences of image-making.
a reckoning with photography, colonialism, power and landscape
